"The Fruit of her labor"

50"x 42" oil
$3,150.00

My Inspiration was the fruit of the rose.
The rose is a generous flower. We enjoy her beauty and fragrance and her soft pedals are the carpets of brides. When other flowers are calling it a season, the rose gives forth her fruit. Nourishment for wildlife as well as to the most civilized tea party alike.

My design strategy was to paint the small, often overlooked fruit of the rose hip in a large context, while expressing the moment she is giving herself completely.

My work process was large in scale, 50"x 42". I sketched it, then an acrylics under painting followed by the oil painting. Completed 5/26/2013

Jagged Little Pill

Tonight I was painting and listening to Alanis Morrisette, the song came to "I recommend biting off more than you can chew. I was reminded of my thinking the week before the Sculpture in the Dark week event.

"Did I bite off more than I can chew????"

I was so anxious that I would not be able to deliver. My fear was palletable.

Like a dandelion fairy I was swept up by the warm winter wind into one of the most rewarding and learning events of my life so far. The first day my fear melted away into excitement. Which by the way was satisfied.

Throughout the week we experienced the most amazing feeling of comradery.

We, all three of us on my All Woman Team, had never sculpted snow before, at least not on this level anyway.

Most of the other participating Artist had been in competitions all over the world. It was quite intimidating

All  the other teams were so humble and generous with their knowledge, pointers and tips, and tools.. they were the most amazing group of people. I feel honored to have been one of the participating Artists. 

I started the week with this wild hare thought that I should stay on my exercise regiment for the week because I would be stronger and be able to increase my stamina. ha ha what a laugh. by Tuesday i was exhausted and we really hadn't even started sculpting. 

It is still worth a good laugh when I think about it.

Monday I helped pack the snow. Very hard work if done right. Met most of the other Artists and over the next week I was able to get to know many of them.

The gunshot rang out and we were off. Warm weather encouraged a slow start and led to a hard finish.

Many times throughout the week I commented that I felt like I was on Vacation. Good food, new friends, 

And

I was doing what I love most.

The week went great. We got our snow sculpture done and we had fun doing it, finishing in the characteristic way of working through the night Friday into Saturday, exhausted but so grateful I was a part of it all.

I learned so much about weather and snow and ice cubes and tools and design and myself of course.

A Special Thank You to Chelsea and Olivia

And Thank You Kristine Koschke for your tireless work putting it all together

Sculpture in the Dark 2013

February 5 - 10, 2013

 This year's winners are:

• First Place: Team Two Guys and a Block, “Ray the Manta Ray,” Garett Dreiling and Steve Carmer.
• Second Place: Team Blizzard Boys, “Serenity,” Jade Windell, Josh Wiener and Lou DeAngelis.
• Third Place: Team Breck, “The Mammouth,” Keith Martin and Margo Jerkovitz.
• People's Choice Snow Sculpture: Team Triple H, “Snow Swans,” Carey Hosterman, Eli Hopkins and Forrest Hoskins.
• Online Reporter-Herald People's Choice: “Snow Swans.”
• Sculpture Spirit of the Artist Award: The Sirens team, “Daphne the Artful Dodger,” Robin Dodge, Chelsea Schnellinger, Olivia Lowe.

"Girl Braiding Hair"
16"x 20"
by Robin Dodge
$480

Photograph by Mel Shockner








My inspiration was the way Pierre-Auguste Renior focused on people in intimate and candid compositions.
My design strategy was to paint such an intimate moment of a girl braiding her hair.
My work process was to bath the girl in a warm light, with loose brush strokes, to emulate the style of impressionism.

"Dressing Room"
20"x 16" oil
by Robin Dodge
$480

Photograph by Mel Shockner




My inspiration was the early work of Degas which bared the distinct influence of the dutch  painters. As he matured as a painter he found bolder brush strokes and the use of vivid colors, he blurred the line between portraiture and genre painting.
My design strategy was to create a snapshot of a single moment, a fly on the wall experience.
My work process was to companion up the dark of the old with the bold brush stroke and emerging brilliance of vivid color.

"Apples"

pastels on sandpaper
by Robin Dodge
$648

Photograph by Mel Shockner



My inspiration was the masterful pastel work of Edgar Degas. While studying Degas, I spent many hours just looking at his work. His classical training and accomplished skills shine in his work and I am encouraged to continue my  discipline of building and improving my skill set. I feel pleased with the influences that came through on this pastel painting.
My design strategy was to create a still life that in a small way conveyed the influence of Degas using the grey hound figurine's delicate form to emulate the ballet dancers and the horses.
My Work process was pastels on sandpaper.

"The Road"
16"x 20"                            
oil painting by Robin Dodge
$480

Photograph by Mel Shockner

My inspiration was the road on which we all find ourselves traveling, a strange combination of predestination and the power of choices that balance ever precariously on the horizon.

My design strategy was to use color to express the effect of sunlight on the landscape.

My work process was to create a painting using the practices and techniques of Claude Monet. 

"The Sugar Factory"
oil painting by Robin Dodge
sold

Photograph by Mel Shockner




My inspiration was the spontaneous response to  the sunlight and color one spring morning in my back yard looking out at the sugar factory. The same response to the outdoors and the science of light and color that was documented by Pissaro and other impressionist painters in the 1800s.
My design strategy was to create a plein air painting using the technique of the impressionist Camille Pissaro.
My work process was to attempt to portray an overall visual effect instead of details using short broken brush strokes of mixed and unmixed color to achieve an effect of intense color vibration.